For those of you who don’t know him, Kyler Tapscott is a singer/songwriter with some series skills on the fretboard. A phenomenal guitar player, he’s often played the role of mercenary using his tremendous talents to back up other performing artists in the studio and on the stage both nationally and internationally.
But now, that’s about to change. Based in St. Catharines, Ontario (Canada), the day has finally come for Kyler’s own music to step forth and take center stage as he recently unleashed the first single “Fire” from his debut solo EP.
Kyler and I both grew up in the same small town (Cobourg, Ontario), so it was nice to catch up with him again and talk about his new EP and what he’s been up to musically. Of course, I also made sure to ask him for some advice he has for both guitar players and anyone else out there trying to cut their teeth in the music business.
Me: Kyler, my man! Thanks for taking the time to link up and join me today.
Kyler: Hey Mitch, no problem. How’s it going?
Pretty well all things considered. Your new stuff sounds great!
Thanks, I appreciate it.
Yeah! So, as you know, I’ve got some questions for you today about what you’ve been up to… obviously the new EP we’re going to talk about… but I’d like to talk about a few other things too that might see you impart your wisdom on any young guitar players or musicians trying to make their own way in the music business.
Why don’t we start with you: tell us a little bit about yourself. How did you get into music? I know that you’ve been playing guitar for a long time.
I started playing guitar when I was around 11. My Dad was a musician my whole life too… I actually truly started playing guitar when I was 7… but, I just didn’t stick with it… I just didn’t have it in me at that age. But when my brother started playing when I was around 11, I began to really play probably because he was doing it, and then I started spending hours and hours and hours on it, and I got a lot better than he did very quickly. And then he stopped playing *laughs*.
So when did you start playing professionally?
I think I was 16 when I played my first professional gig. I was backing up a Yukon singer/songwriter named Kim Rogers, with my dad on bass… that would be the first of many more to come.
How would you describe your music to other people? I’ll admit, the new single from your EP really caught me off guard just because my experience with your music before has been a completely different kind of vibe.
That’s a good question, and I find that you’ll probably notice that with every song I release from this EP, they all have a really different flavor. I don’t know if that’s a good thing or a bad thing, but it’s kind of just what came out. They all have a bit of a funky sort of groove to them – except for one, which is more of a folk tune – but I find it really hard to say.
Maybe I just haven’t found my sound yet, or perhaps I’m just a little schizophrenic when it comes to music, but I have a lot of different influences that play into the way that I write. I don’t always stick with one sound. That might catch some people a little off guard, and maybe that’s a good thing – I’m not sure – I’m kind of just feeling it out as I go along.
I should probably ask – is this your first EP?
Yeah, it’s my first solo EP.
I’ve recorded before: I’ve been a sideman for years. Since I was 16, I’ve been playing for other people, and I enjoy that a lot – there’s less pressure. You just kind of show up and do your thing – but there was this side of me that I’ve really wanted to get out for a long time, and I don’t know why I hadn’t yet. So it’s been exciting to figure out everything and get this EP together as I’ve gone along with everything that’s been happening.
Okay, so you’ve told me before that your creative process changes all the time, is that correct?
Yeah, for the most part.
Sometimes I’ll hear something that sparks an idea. I might be listening to a track, and then 3 seconds of a song might make me go, “Woah, what was that?”. When that happens, I’ll make a note of it and usually record it very quickly before that idea’s gone. Because you never know… it’s just like catching butterflies: you’re just kind of trying to grab one… you’re just trying to catch an idea.
Anyways, I’ll take that idea, and then I’ll record it, and sometimes things happen quickly, and sometimes those things take years, but eventually, I’ll go back and find that it sparks something. I just try to be open with things that I think sound cool or with lyric ideas, so anytime I find something I like, I’ll write it down and then try to revisit it later. For me, there’s no one way of doing things.
So sometimes the lyrics come first, and sometimes the music comes first.
Yeah, but most of the time, it’s music. Most of the time, I’ll come up with some musical ideas that I build from, and then I’ll dip into my bag of lyrics or sayings and try to piece it all together from there.
So you’ve said before that you have a lot of different influences. I can get that just by listening to the first single you’ve released in comparison to having heard your other stuff before, but are there any big primary ones?
For my single “Fire,” it’s kind of steeped in pop. I’m a fan of John Mayer – I like how he’s got a depth to his musical side.
But I have tonnes and tonnes and tonnes of influences… it’s tough for me to pinpoint who I’d say I sound like because they’re all so different. *Laughing* I might have to just send you all the songs so you can tell me.
I mean, I would definitely be open to that… that would be pretty sweet! Alright, well, let’s try this then: as a guitar player, do you have any prime influences as a guitar player?
When I was a kid, Jimi Hendrix was a huge thing for me growing up, him and Stevie Ray Vaughn… if you don’t go through those two guys, are you really a guitar player? *laughs*
But in high school, I was really into Pink Floyd. David Gilmour is one of my favorite guitar players, and he never plays anything fast – ever – it’s all attention to the right notes. Growing up, I also loved the Dire Straits’ first record… Mark Knopfler – is such a badass.
I was also really into Steve Vai and John Petrucci from Dream Theater. Those guys were significant influences for me during my first 5 -6 years playing guitar. John Petrucci’s Rock Discipline DVD was important too. I remember I downloaded it, and at the time, I still had dial-up internet so it took like 3 days to complete.
Oh, I remember those days *laughing*.
Yeah, you remember the days.
I remember the first song I ever downloaded was Iron Maiden’s “The Trooper,” and it took me an entire weekend… I remember yelling at everyone in the house like “don’t anyone pick up the phone for the weekend!”
That insane dial-up connection sound brings back haunting memories.
Later, I got really into Tommy Emmanuel and fingerstyle guitar, and so I went down that rabbit hole for a couple of years practicing fingerstyle guitar. Guys like Adam Rafferty, who’s fantastic – he also does fingerstyle arrangements – and even guys like Chet Atkins and Jerry Reed. Basically, stuff that I didn’t really get when I was younger – I guess I just didn’t have the palette for it then – but later on, especially as a guitar player, I was like, “wow, this kind of guitar is actually the best.” In my opinion, the Jerry Reed and Chet Atkins records “Me and Jerry” and “Me and Chet” are probably two of the most tasteful guitar duet records of all time.
Then you’ve got guys like Django Reinhardt and these Brazilian guitarists Los Indios Tabajaras whom I also really, really enjoy… my influences are all over the map.
That’s a deep well to draw from, though, which is excellent for anybody reading that’s an aspiring guitar player. While you mentioned some of the more commonly known ones that people typically hear about like Jimi Hendrix and Stevie Ray Vaughn, I don’t think a lot of people might have picked out the other ones.
Absolutely. I think it’s very important to be open to what you listen to. Don’t close yourself off.
So what do you like most about music as a job?
It’s different every day; you’re not confined to one thing. If I’m really into gypsy jazz, then I get to work on gypsy jazz. And then if next month I find I’m really into country chicken pickin’ guitar, then I get to work on chicken pickin’ guitar. You kind of get to compartmentalize all that stuff too, so whenever you do a session, you have this encyclopedia of guitar styles or riffs, and then you get to add that to other people’s music and to your own writing. It’s very cathartic for me to be playing music and playing guitar. Plus, you get to tangibly see yourself get better at something. You know what I mean, you’re a guitar picker; you get it.
*Laughing* I do, I do… I mean, I don’t gig anymore… I haven’t been in a band for the better part of a decade now, but I’ve been going through some old stuff on my computer that I’ve recorded. Songs that the world has never heard before. Every time I listen to them, I just think, “damn, I’ve gotta do something with this.”
At first – a spark.
So, this is the part where I would ask you what projects you’re working on right now, but I know you’ve got your EP coming out one song at a time – side note – what’s that called by the way? Do you have a name for it?
Initially, I was going to go with a self-titled release – something just like “Kyler” – but I’m not 100% certain on that yet. I’m more interested in releasing the singles, just because it brings people back every month. You get to create more buzz that way, and I think you get to squeeze out every last drop of something if that makes sense.
Yeah, it does. The digital landscape has REALLY changed the way the music business works.
Exactly. I think, unfortunately, people don’t really listen to full albums the way they used to. Maybe they do – some people do – but I think the industry today is more focused on playlists. People today want to hear one song, and then they want to listen to another song by a different artist or another song with a different vibe, and I think it’s tough today to release a record that a lot of people will listen to front to back.
It’s definitely noticeable, and that’s the kind of stuff that I want to drive home to these younger people that are getting into the game – or even experienced people – because it’s very accurate, the music business has changed A LOT in the last decade.
And it’s constantly changing.
Okay, so aside from the EP, do you have anything else on the go right now? I know gigs are canceled temporarily.
We’re in weird times right now, there’s no doubt about that.
But of course, I had some gigs lined up, and I was going to be doing some sessions with some other people and writing, and so everything has slowed down in that sense. Otherwise, I’ve just been trying to continue to write and collaborate with as many people as I can, learn as much as I can, and then, of course, try to get this project done as I continue to release new songs.
Alright, so I know you’ve been gigging for a long time, and if my musical career is any indication, then you’ve probably got a lot of cool stories from what happened along the way. Care to tell one?
Yeah *laughs* I’ve got a few… I guess I could tell you my encounter with the German police one time crossing the border…
I like where this is going…
Last year, I had all these health issues – I was diagnosed with colitis, and I had a case of this really severe joint pain – my knee ended up locking in place for almost 6 months, and so I couldn’t walk for a lot of that time. Even when I could, I had to use a cane and a knee brace. So, last year when I was on tour with Amanda Rheaume in Germany, one day, I found myself hospitalized; I had to leave a 6-week tour on day 9 to come home and deal with a shit show of health issues.
Luckily though, I was well enough to go back in June with her for a week, and so we flew into Amsterdam and Holland. While there, I got some “medicinal substances,”… and so here we are on our way to the German border, and this cop car just kind of kept tailing us and following us, around, and eventually they pulled us over. So at the time, I’m thinking, “shit, I have this stuff on me right now, and we’re on our way to a festival.”
Anyways, when they pulled us over, they said to us, “listen, you can either tell us that you have something you shouldn’t on you, and then we’ll have a small problem… or you can tell us nothing, and if we find it, then we’re going to have a big problem.”
As it turns out before they got to the van, I had taken my bag of “stuff” and put it in my knee brace – underneath my pants. They ended up searching the whole van. I mean, they searched everything – all of our pockets… they literally took the van apart.
But the whole time I was just playing up my knee pain – almost to the point of being ridiculous, with the cane and everything – and so I’m sitting down, and they’re saying things like “oh so sorry sir, please sit down sir” even as they padded me down. And you know what? They didn’t find it.
So I don’t know if that’s a lesson to be learned here, but don’t try to cross the border with “medicinal substances.” If you do, though, make sure you have a knee brace *laughing*.
That’s a great story! I mean that’s perfect.
*Still laughing* I almost got thrown in a German jail for having that stuff – but I didn’t. I persevered! I persevered right on through!
*Laughing* that’s brilliant. So we’re almost done here, but any crucial advice you have for other people? Starting out – either just as a musician, as a performing artist, or any of that?
I think first and foremost, I’d say to just enjoy the process of learning and understand that it’s a labor of love – things don’t happen overnight, but whatever you put into it, you’re going to get out of it.
You should also be easy on yourself. There’s a fine line between being hard on yourself, which is a good thing because it pushes you forward, and being too hard on yourself, where you don’t actually allow yourself to be vulnerable and make mistakes. Make sure you continue to learn and play with other people. Don’t be afraid to suck for a while. I think that’s really, really important.
If I could go back and tell my younger self a few things, I’d start by saying to practice with a metronome – get your timing down. But also, don’t be afraid to be vulnerable and put yourself out there – maybe you won’t have the best show, but go out and play again later and learn from your mistakes; don’t doubt yourself. It sounds cliché but it’s very true, at least for me… I probably haven’t accomplished a lot of things because I just got in my own way at times.
I remember the first time I had to play to a metronome in the studio *groans*… I wish I would have practiced with one earlier too.
Anytime Mitch, take care!
You too. Keep pumping out those groovy jams.
Be sure to check out Kyler’s music streaming now (with a new single coming out each month!) on all major platforms and keep up to date with what’s coming out by following him on social media below!